It feels like I’m getting close to a final, or, realistically, a quarter-final dummy. Five thousand images have been whittled down to forty-six in a specific order. And, after a surprising amount of finagling, the text has been sorted, too.

I’m happy with the general look and feel, the flow of images and, for lack of a better word, the content. Now it seems that what’s left is a whole bunch of detail work (final design, fonts, format, image size, etc.).

The first dummy was made of 3×4 inch work prints slotted into the sleeves of a 5×7 album.

That served its purpose for about a week, a week of moving images from here to there in the sequence and some preliminary fine-tuning.  The images were too small, though, to show to anyone else, so I did it all again, this time using a standard print size of 5×7 inches in an 8.5×11 album. I also took this opportunity to fine-tune the prints a bit. Still not the final versions, but closer.

This is the dummy I showed to all sorts of people. Their feedback, and further thinking on my part, resulted in moving some images around, removing some  entirely and adding others. A general tightening up.

Then . . .

I had initially thought that each image should carry an equal weight, so all the prints in the dummy were the same size. But what would happen, I wondered, if I varied the size of the prints . . . what would that look like, how would it work?  And, what sizes should I use?

So I had another look at the dummy and figured out a strategy. I’d use the same sequence, but 3 different print sizes. Once that was decided it was sort of obvious which prints should be standard size, which should be bigger and which should be biggest.

So, as of today, this is where it stands. There will be more changes, but it’s beginning to feel quite tight, real right.

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Author: Tony Fouhse

Tony is an Ottawa-based photographer.