I always seem to get hung up in the things I’m pouring myself into. Can’t see the forest for the trees, you know.
Because I’m aware of this I remind myself, in the throes of my obsession, to take a breath, to step back and try to see the long view, to look for the horizon.
Easier said than done. But the insights gained by doing this are always worth the effort. Both during the creation of a project and in the thinking about it afterwards, in the seeing of what it reveals.
Of course, some of the things you notice only after the whole thing is done and dusted are totally obvious. For instance, I just realized the other day that 34 of the 45 pictures in After the Fact were shot within 1.5 kilometres of my house (that’s just under a mile for those who don’t know the metric). Heck, three of them were shot in my back yard and one right inside my house.
Thinking about this I re-realize you can make anything you want of the things that are close to you (and, maybe, the things you want to be close to you). You apply intellectual, aesthetic and moral filters to things familiar (or not familiar) and with enough work and thought, with the right kind of eyes, can turn them into just about anything.
If you look and feel and think right, close to home can be what you think it is, or what you want it to be, or what you can turn it into.
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