I believe that early success is not a good thing. Too often it gives a false sense of superiority and ease. It can also lock you in and rob you of the perspective and growth that come through struggle.
Turns out that my first foray into looking for November yielded two images that I thought were quite successful. They seemed like signs pointing the way forward. Not bad considering I shot 4 frames.
The other two frames, which were quite unsuccessful, did, however, show me what I didn’t want to do. For instance this photo, taken in a moment of insanity (or, rather: inanity). When I saw these pumpkins all I could think of was: “After Joel Sternfeld”. The “after” here having, in my mind, two meanings. Other than that, I don’t know what the hell I was thinking.
So, with that in mind . . . some successes and some stupid images that I’m not interested in in the least, I set out late Monday afternoon to follow through, to do some more shooting, to add to my successes.
I’m happy to report that the trip was a dismal failure. I drove out to the country (did I mention this project is going to be landscape photos?) and got bogged down.
Those first two successful photos were boxing me in. Sure, they were signs showing me ways to proceed. But they were also photos I’d already shot so there’s no real need to shoot them again, right?
So I spent a very frustrating afternoon stuck. Stuck on roads, stuck by the weather and the light, stuck with trying to figure out what to do and what not to do. It felt worse than the first day of shooting I’d done for this project. At least then I had a blank canvas.
Paradoxically, now that I have some idea of what I’m doing this is getting more difficult.
I went out again later in the week. Things seemed to go somewhat more smoothly, and I got to meet some horses. Slowly I’m gathering more images, more moving parts to November. Feels good. We’ll see.
ZEITGIEST AT SPAO
There, in the studio behind the SPAO gallery, is a strip of 16 images. Shot by the 2nd year students of the school specifically for the SPAO Open House. The subject: Zeitgiest.
The images are best served if read as a mash-up . . . the disparate nature of the group adding to the complexity and nuance of the whole.
Often in art schools (and, indeed, after art school graduation) the default position, the perceived path to success, is to rely on formality and formula. Here that impulse has been subverted by the combining of these images. What results is a fractured whole that turns this cooperative body of work into a thing that is modern, vital, complex and engaging in more than a superficial way.
This work will be on display in the studio at SPAO until December 20th. It’s worth a visit.
The students who have work in this show are: Amanda Belanger, Lauren Boucher, Louise Crosby, Paris Escandon, Kat Fulwider, Nicolai Gregory,
Benjamin Gregory, Katherine Kyriazopoulos, Pat La Prairie, Irene Lindsay, Daniel Lopez, Lauren Mcglynn, Diana McKinnon, Christine Potvin, Vivian Tors and Ian Warren.