Yes, some further ruminations on just what the heck I’m trying to do with my new camera. Plus: some installation pix of the show I’m in in NYC, more Ottawa Notes, and, finally, a commercial. Anyway . . .
NOT STREET PHOTOGRAPHY
One of the things I want to do with this new tool of mine is, I want to take photos that are unlike my previous ones. I see, though, in these early days of trying, that that’s going to be a tall order.
After all, one does have ones aesthetic and political predilections, doesn’t one?
On the other hand, I’m quite sure what I don’t want to do (though to rule out any avenue at this point is a chump’s game, I know), but what I don’t want to do is your classic “street” photography. The structures of, and expectations attached to, that genre strike me as pretty strict and old-fashioned.
The camera I’m using, though, is pretty much designed (or, at least, perfect) for street snapshooting. Time for a rethink.
Further to this (and because I believe in embracing my contradictions) . . . I just bumped into this article by Jon Feinstein: “Seven Photographers Who Are Rewriting Street Photography’s Rigid Rules”. Some of the approaches and possibilities outlined there seem right to me.
A few shots of the Beyond Addiction/Reframing Recovery show at Parson’s School of Design. And a link to an article about the show in the New York Daily News.
SPAO hosted a one-night show by Ottawa photographer Gwyneth Orr, who won the Ottawa Arts Council Young Artist award last year.
The show, called AVIS, a series of images in which teenagers are compared to, and dressed up as, birds. The idea being to allude to the similarities between a baby bird leaving the nest and a child entering young adulthood.
You can tell this is early work . . . not completely realized and the influences are there on the surface to see. But that’s the way you begin, isn’t it. Then, if you persevere, you grow.
Gwyneth, a graduating highschool student, has been accepted into the photography program at NSCAD. I’m sure that escaping the Kapital City nest and spreading her wings there will be just the thing she needs. I look forward to seeing where she goes from here.
A PRACTICAL GUIDE TO PUBLISHING A PHOTOBOOK
Photobooks are where it’s at these days. A great way to organize and add worth to your photographs. Not to mention they also help get your work in front of folks who may care, be they friends, family or curators.
I’ll be holding a one day workshop at SPAO: A Practical Guide to Publishing a Photobook.
As the person behind Straylight Press I published 18 photobooks, by 12 different photographers. Let me tell you, I learned a lot.
This workshop is about, as its title implies, the practical stuff you need to know. Lots of resources, secrets, links and suppliers. As well, it will cover ways to edit and sequence your book, discuss various layout options, and a few, for lack of a better word, philosophical aspects of photobook making.
More info and sign up here.
a newsletter / tony fouhse
Subscribe to HYPO